Showing posts with label Age of Anxiety. Show all posts
Showing posts with label Age of Anxiety. Show all posts

Wednesday, 15 March 2017

Now my moogs are in the loft (again)

After a flurry of activity when I re-launched the Saloon website as this blog, it has been fairly quiet on here for a while. The reason has really been because of too much musical activity in our lives rather than too little.

Matt and Alison’s projects go from strength to strength. Matt’s band The Leaf Library have released three albums in two years and Alison and her husband mark, as well as a flood of activity with The Left Outsides, have also a new band The Trimdon Grange Explosion. Make sure to look them up on social media.

I am going to talk about myself now though (Matt, Alison – as ever, do send me stuff and I will post it up).

It has been just over two years since I released the Rodney Cromwell album ‘Age of Anxiety’ on Happy Robots Records. When I last posted about it in April 2015, I was pretty downhearted. Although at that stage it had received some radio play I was struggling to get anyone to write about it. But, following its very slow start, with barely a tweet from anyone on the day it came out, the album ended up being surprisingly well received.

In the end I took on a press agent Shameless Promotion (PR) from Canada and between us we were able to get great coverage in NME, Huffington Post, the Electricity Club, Electronic Sounds Magazine, Record Collector, Louder Thank War, Impose Magazine, SoundsXP, Overblown and loads more. It also had a lot of ‘grassroots’ coverage and I ended up doing more interviews than I had ever done in my career. It was particularly great to get positive feedback from a few synth ‘legends’ with Mal Holmes from OMD saying nice words and Rusty Egan from Visage / Rich Kids saying great things and playing the record loads on his shows.

I also got a load of terrific radio play from the likes of Gideon Coe and Steve Lamacq on BBC 6 Music and on several shows on RNE3 in Spain. And it hasn’t stopped; the album and its singles are still getting constant play on specialist indie and synthpop shows and stations. I did a few radio sessions too – the highlight perhaps being a session with Julio Ruiz on RNE3 in Madrid. Julio previously interviewed Saloon back in 2002 when we played in Contempopranea Festival, so it was lovely to meet him again and play some songs on the show. 

If I posted links to all the radio sessions, interviews and reviews is would take me all day, but – if you care – all the links are available on the Happy Robots Records website. 

I also never thought I would play live again – in fact I sold much of my gear in 2014 at a boot fair. But by Summer 2015 I was playing my first shows for five years. Almost every gig we played was great. There were almost too many highlights to mention but clearly playing with the bands Marsheaux, Death and Vanilla, and Snookerstar DJ Steve Davis, plus the festivals Indietracks and Madrid Popfest, have to be near top of the list.  It was great organising another Happy Robots gig in November 2016 and really great that some of the old faces who used to come and watch Saloon came out to show their support.  The call of the Travelodge, terrible service stations and tiny back room venues will always be there for me. I can’t ever see that going away. 

It is impossible to thank everyone who has helped me out, but many thanks must go out to those who played in the heavily rotating Rodney Cromwell band over the last year and half – Adrian Taylor (from Controllers) and Matt Saloon / Leaf Library all deserve a massive thank you! A slightly bigger thank you should also go out to Alice (Martha of Arthur & Martha fame plus Cosines, Mass Datura and more) and Richard Salt (also Controllers) who played the lion's-share of gigs. We spent many enjoyable hours in our rehearsal rooms talking about guitar pedals, synths and how shit Brexit is, as well as practicing occasionally. 

And to the point of this lengthy post, well after a most enjoyable trip to Spain, where Matt from Saloon joined us on guitar, I feel things have come full circle and I’ve achieved  all I wanted to accomplish in terms of promoting ‘Age of Anxiety’. It's time to put the synths back in the metaphorical loft and let my ears recover. It feels like a good time to think about future projects but also to spend a bit more time with my incredibly supportive wife Alison and our two kids, who have had to endure me being away for many weekends.

This is not to say there won’t be any gigs or releases in the future. Rod Cromwell will be appearing on a couple of great compilations soon, and in terms of gigs I am always up for offers. I just won’t be actively looking for opportunities. I do hope to play at least one more London gig in 2017 (and you know where I am if you need me.)

But I want to spend a bit more time with the family while concentrating on the label, probably arguing with strangers about politics on twitter and, maybe even, writing some new songs.  I also have a couple of great new releases out this year on Happy Robots Records, so do stick with us, follow us on Facebook and sign up to the Happy Robots Mailng List if you haven’t done so already.

Right – off to write that new album I keep promising you.

Adam

Friday, 17 April 2015

Recording Artist Rod Cromwell

 Other Projects


It has been a busy few weeks. My new album has been out for over a month now and I have still not officially announced the release on here. I tried writing a lengthy blog post about it, but just can't find the time to finish it, so here is the quick version.

So you know, the album is out in the shops, called RODNEY CROMWELL 'Age of Anxiety' released on the Happy Robots label on CD and digitally:

The limited CD is distributed by Cargo Records http://www.cargorecords.co.uk
AMAZON http://www.amazon.co.uk/dp/B00T4V5HT0
Also download on iTunes https://itun.es/gb/bspm5
Buy direct and receive bonus goodies:
http://www.happyrobots.co.uk

It has been favourably compared to early-OMD, Giorgio Moroder and Krafwerk (I think in terms of its sound rather than its cultural impact). The record has had really good airplay, with plays on the Gideon Coe show on BBC 6 Music, multiple plays on several Radio 3 in Spain and on loads of synthpop shows and other radio shows (all of whom I will thank again properly at a later date). Oh and somehow two songs are on heavy rotation on Croydon FM. So muchos respect there.  

Thanks to everyone who has played, bought and said nice things about it. It has been very much appreciated! I will write some more about it I'm sure. Oh and feel free to follow Happy Robots on the Facebook. You can hear it on Spotify too, although obviously we would prefer you to buy it.



What else to report:

Alison's band 'The Left Outsides' have a new album 'The Shape of Things to Come' out on 8th May which itself is getting some great airplay. Follow all their news too on Facebook. I've not heard it yet but I'm sure it will be really good.

Indietracks 2015
Matt I know is in the studio at the moment with The Leaf Library working on their new album. And both The Leaf Library and Rodney Cromwell will be appearing at the Indietracks festival this 24-26th



July.  It's the first announced gig for Rodney Cromwell so many thanks in advance to Indietracks for taking a punt and booking me.

On the Saloon front, I've renewed the Soundcloud subscription so all the old stuff is available again. Gideon Coe played two songs from the first Peel Session last night (that is the 16th April 2015). Gideon has played that session several times so many thanks for that Gid.

Lastly I've been emailing a chap James who was in the band Postalowa who we played with once in Norwich. As well as having a great Mixcloud show Tall Ships Radio Club, he has a band Broads who Saloon fans may be interested in. Our chat also enabled me to find the details on the 2003 gig in Norfolk which I've added to the Saloon timeline. As keeper of the archives and master of the data this stuff matters OK.

Wednesday, 28 January 2015

New records, new fruits of the 'loon.


It has been a while since our last update. The reason being, well we have been rather busy. 
2015 has been dubbed the year of the Saloon comeback! Ex-members of Saloon have, we hope, three new records out this year, so Loonatics start saving your pennies…(please)….here is the news so far....


RODNEY CROMWELL (Adam)  
Age of Anxiety

The album that I have been tinkering with for about for several years is finally finished. It is very much an extension of sonic area explored with Arthur & Martha (it features Alice / Martha on a couple of tracks too). It is an album of ten songs propelled by hissy analog synths, cheap vocoders, toy instruments, crackly samples, bass riffery and – errr - more analog synths. 

Although the title is a nod to 80's electro (Age of Chance and/or Age of Consent by Bronski Beat) its themes are those of love, loss, grief, paranoia, euphoria in our modern post millennial world of over connection and tribulation That sounds quite ominous - it’s really just a silly indie disco record.  

I’m releasing it under the Rodney Cromwell name – which is a moniker I used once before, during the Saloon days, when I recoded a song Radaghast the Brown for a Lord of the Rings tribute album on Bearos. It is to be released on CD / digital download on 9th March 2015 and distributed by the good people at Cargo Records. The lovely cover was designed by ‘our Matt’. And it will be the first release in five years on the Happy Robots label; hopefully – if we break even – we will be able to put out some more releases (by other bands) in the near future! …oh and you will be able to buy it on our website as well as in the shops and on iTunes.   

Adam


THE LEAF LIBRARY (Matt and Co)  
Daylight Versions

Second album time! We’re halfway through recording another album at Studio Klank in north London – it’s a lovely place, and they’ve even let us build a little shrine on the wall above the mixing desk (the full Happy Robots back catalogue to the first person to name them all...).

It’s all shaping up nicely thanks with tons of guitars, a bit of synth and some piano, lots of drones, some pedal steel and a ride cymbal orchestra all recorded so far. It’ll hopefully feature contributions from some of our mates too including members of The Clientele / Amor de Dias, The Drink, The Left Outsides and Singing Adams. And horns! There are definitely going to be some horns on there too.

The album is called ‘Daylight Versions’ and is inspired by (variously) the sea, commuting, the Suffolk coast, Walthamstow marshes and death. It’ll be out on vinyl via Where It’s At Is Where You Are some point this year. Happy listening.

Matt



That’s all for now. Hopefully more soon. Do get in touch if you need to know any more.